The Futures Archive S2E6: the Bug Zapper
Note: This episode addresses subjects significantly delicate in light of this week’s school shooting in Texas. While Design Observer has never shied away from difficult conversations, the editors acknowledge that this content material could also be difficult for some listeners. Content Warning: Violence, killing, and death are discussed in this episode. It can be hard to seek out somebody who wants to share space with a mosquito. Hence, the creation of the Zappify Bug Zapper brand zapper. But as designers, how can we handle what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t always reflect humanity. With additional insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There's a need for people to exert their authority, however there is also a need for us to exert our love. The factor that I hope we hold space for is: This is all observe as a result of it’s not going to be resolved, and it shouldn’t be.
That will create some type of stagnancy. Life is actually about holding space for dynamism, changes and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy primarily based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They are the founder of FLOX Studio, a group design and technique studio. David MacNeal is a author and the author of Bugged: The Insects Who Rule the World and the People Obsessed with Them. Dr. Juliano Morimoto is an entomologist and lecturer on the University of Aberdeen in Scotland. Spee Kosloff is an affiliate professor of psychology at California State University in Fresno and co-creator of "Killing Begets Killing: Evidence From a bug zapper for backyard-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an author, architect, and the Senior indoor bug zapper zapper for patio Curator in the Department of Architecture and Design on the Museum of Modern Art, as well as MoMA’s founding director of Research and Development.
Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for each episode. A big due to this season’s sponsor, Automattic. Hi, everybody, that is Lee. Every week is somewhat totally different on this show. And this week, whereas we’re still speaking about design, we’re going to be talking about some fairly critical points. And so I would like to ensure that everyone who’s listening is aware of that is in an excellent place when they’re listening. And Zappify Bug Zapper brand i encourage you to verify our present notes previous to listening to the episode so you understand the context of what we’re talking about and put together ourselves a bit. Beyond that, I welcome you to the conversation and i hope you discover this conversation as powerful as it was for us. And that i thank you for listening. Welcome to The Futures Archive, a present about human centered design where this season, we’ll take an object, look for the human at the center and keep asking questions.
… and I am Sloan Leo. On each episode we’re going to start with an object with power. Today the article is the bug zapper. We’ll look at the history of that object from our perspective, as designers who’ve completed work in human centered design. Not just the way it seems to be and feels and sounds and smells, but in addition the relationship between that object and the people it was designed for… … and with other humans too. The Futures Archive is delivered to you by the design group at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s great to see you once more. Thanks for joining us. Lee, it is a thrill to be right here. So I’m questioning-for this explicit episode, fly zapper I’m wondering if you could possibly tell me just a little bit about your historical past as a child with bugs and insects. Where you this form of like, like child that like beloved the creepy crawly stuff?